Funeral assistant Eddie Hartmann leads an unglamorous life. Eddie is a tough guy, but an even tougher drinker. His wife goes down on him in public and Eddie dreams of killing her in cold blood. But he doesn't have the final determination.

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Rebecca, 23, joins a police unit specializing in undercover operations and takes part in actions to thwart drug dealers and arms traffickers. In the process, she becomes aware of abuses of power and far-right tendencies within the police force. Confronting them costs Rebecca her life.

Based on a novella by Bertolt Brecht.

England, 19th century: Seth Pilaster runs one of the most influential banking houses in the kingdom. When Hugh Pilaster, the capable and talented youngest member of the family, realizes that he has no chance against his less talented cousin on the career ladder due to family circumstances, he tries to drown his frustration in the dive bars of London's working-class districts. There he falls in love with poor Maisie. However, as he sees no prospects for either his professional future or his love for Maisie, he first goes to America, only to return six years later as a successful banker. To make matters worse, Maisie is now married to Hugh's best friend and the balance of power has also changed fundamentally.

"Die Kinder der Flucht" is a three-part German docudrama that portrays the harrowing experiences of children and young people during the final months of World War II and its aftermath in Eastern Europe. The series weaves together dramatized reenactments, archival footage, and poignant interviews with real-life survivors to tell three distinct yet interconnected stories of displacement, survival, and resilience.

Judith, an investigative journalist, begins to unravel a murder mystery that implicates one of her current lovers. When she checks out a peep-show business on the seedy side of Hamburg as part of the investigation, she runs into a former boyfriend who used to be a psychiatrist but is now an arms dealer. Judith is lured back into his fold, cheating on her current lovers, one of whom is also a shrink. Despite her profession, or perhaps because of it, Judith tends to blend fantasy and reality, so small wonder she is attracted to psychoanalysts. But, two shrinks and a murder prove more than Judith can handle. 　　"Valie Export's third feature is an anti-romance in which the heroine, oscillating between two relationships, 　　gradually discovers that both are impossible, not because the subjective processes of "love" are defective, 　　but because the objective, social matrix in which both her male lovers operate is corrupt, immoral, murderous: 　　in this film, the male world and its power structures cancel the possibility of love beyond the matter of sexuality, 　　that is the objectification of love. Export makes use of techniques drawn from her earlier experimental cinema, 　　video and conceptual photography to expand the possibilities of narrative feature filmmaking and to disintegrate 　　some of its overdetermined conventions." 　　Video control in subway stations and in street traffic, tapes and cameras are very important 　　for the structure of the film. Mediocrity, hypocrisy and violence are the film's main themes. 　　Valie Export deals with them on private, social and media levels, adhering to the techniques 　　of video avant-garde.

A young woman finds herself ensnared by a mad scientist, thrust into the depths of a hidden laboratory where the boundary between science and perversion blurs. Subjected to harrowing experiments and “modifications,” she’s forced into a diabolical ordeal that melds terror with an unnerving twist on bodily manipulation. As the story unfolds, it descends into a whirlpool of blood, sex, and violence, capturing the essence of a nightmare that relentlessly tests the limits of the human spirit and body.

When wealthy college student Richard Oetker is kidnapped and held for a hefty ransom, state police officer Georg Kufbach becomes obsessed with bringing the kidnapper to justice. This film is based on a true story.

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